![]() ![]() It communicated that even in a conflict the overall dimensions of which seemed to invite a rather simple, binary reading, on the day-to-day level, things got blurred: ambivalence ruled and alliances shifted chaos, confusion, unpredictability and disorder prevailed. Based on this redefinition, the Ritchin–Peress project convincingly represented the ongoing conflict’s multilayeredness and the vicissitudes involved in the transition to peace. The project emphasized interpretive openness, plurality of meaning, narrative nonlinearity and audience interaction thus redefining as merits what photojournalistic discourses and practices often regard as liabilities. ![]() In this chapter, we continue to show that Bosnia: Uncertain Paths to Peace communicated a better and more comprehensive understanding of the messiness of violent conflict than conventional media representations managed to present. ![]()
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